Skip to main content

How do you measure success as a photographer?

What signs should you follow?

If you upload pictures on social media websites you will know there is usually  some form of audience judgement of your success as a photographer.

How good you are is supposedly measured in votes, clicks, awards, views, badges...

This is a good strategy for website owners because everyone likes a pat on the back and so visitors keep coming back to their website for the rewards and little treats. As they say in website terminology it makes the site more 'sticky' and more visitors equals a bigger audience share and more revenue.

Photographers fall into the trap of trying to please broad website audiences and they let this cyber-gang steer and even rule their creativity.

Do you really want to let people who breeze past your image barely giving it a glance or pausing to comment, vote or paste a badge determine the direction of your creativity and influence your vision as a photographer? Most visitors are hoping you'll return the favour and visit their offering. It's a sad cycle to be caught up in.

If 'popularity' is not a measure of how good your photography is then what is a good measure?

  • Do people contact you out of the blue wanting to buy your work? 
  • Do people want to publish it and share it with others and exhibit it and talk about it? 
  • Does your work change opinions or even people's lives? 
  • Does it communicate ideas? 
  • Has someone sent you an email saying that your photography is incredible and it moves them deeply? 
  • Has anyone ever said to you that what you do has changed the way they see the world?

If this has happened to you then you're on the right path. Keep going. If not then you need to work harder on your art and focus on your creative vision rather than the hollow lure of popularity.

Being popular is wonderful so long as your fans genuinely value and love the work that you do. If your audience on the other hand has a different agenda for praising you and you fall into the trap of believing that their accolades mean you are making worthwhile art, then you are playing a fools game.

Till soon,
Paul
www.indigo2photography.co.uk

Comments

Popular posts from this blog

Approach to taking a portrait

Portrait of Amitabh Bachchan. Click on the image to see larger version. Every portrait is different but there are also elements which are the same, whether you’re shooting the famous or the locally famous. Fame is of course all relative. It depends on profession, accomplishments or media celebrity status. Whoever the ‘famous’ individual is there are millions of people in the world who will never have heard them. For example I photographed the legendary Indian Bollywood actor Amitabh Bachchan, who amongst his many accolades was awarded the Legion d'Honneur, the highest civilian award of France. But I’m positive that many people in North America will not have heard of him – although he has more fans than Tom Cruise, Jack Nicholson and Robert De Niro put together. I find that however well known a person is cracking through egos and insecurities is really important when it comes to getting authentic strong portraits. However I hasten to add that when it came to photographing Amitabh th

Capturing the truth: The power of documentary photography to shape public opinion

Photographer, writer and artist, Paul Indigo (Photo by Magda Indigo ) Documentary photography is more important than ever because it plays a critical role in informing and shaping public opinion, particularly in today's fast-paced, information-saturated world. With the rise of social media and the 24-hour news cycle, we are bombarded with images and information daily. It can be difficult to separate fact from fiction. From a trusted source, documentary photography counterbalances the often sensationalised and biased coverage of social and political issues. Documentary photography can challenge dominant narratives and foster greater understanding and empathy by presenting a nuanced, humanistic perspective on complex issues. It can highlight underreported and marginalised issues, giving voice to those who are often ignored or silenced. In a world where many people feel disenfranchised and marginalised, documentary photography can help to create a sense of community and solidarity by

The portrait photographer's motivation

Easy access to the Internet and digital photography has resulted in an ever growing number of photographers uploading their images for comments and ratings from peers. Online communities evolve and these mini-societies each have their pecking order, internal groups and communal preferences. Photographers learn from each other. On sites that have a rating system there is often pressure to conform to certain styles, techniques and even subject matter. Although I participate in numerous sites (it's great fun), I recognise the danger of becoming a herd animal and losing the edge of individual creativity. There will always be the creatives that lead the way and the imitators that can only try to follow in their footsteps. This lead me to think about classifying photographers according their inner motivation. So as a bit of fun here are a few different types: The innovator Driven to always find something new, different and creative. Wants to be leading edge. Motivated by creative satisfa